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Van McCoy & The Soul City Symphony - The Hustle (H&L Records 1975)

Van McCoy & The Soul City Symphony - The Hustle (H&L Records 1975)

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Details

TitleVan McCoy & The Soul City Symphony - The Hustle (H&L Records 1975)
AuthorDiscoSaturdayNightTV
Duration4:07
File FormatMP3 / MP4
Original URL https://youtube.com/watch?v=_Gpq4lHFwQk

Description

"The Hustle" is a famous disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It scored #1 on the "Billboard Hot 100" and the "Hot Soul Singles" charts during the summer of 1975. It also peaked at #9 on the Australian Singles Chart (Kent Music Report) and #3 in the UK. It would eventually sell over one million copies and is one of the most popular songs of the disco era. The song won the Grammy Award for Best Pop Instrumental Performance in 1976. The instrumental has a similar sound to two Barry White composed songs: "Love's Theme" and "Can't Get Enough of Your Love, Babe"; both scored #1 on the popular music charts earlier in the year.

While in New York City to make an album, McCoy composed the song after his music partner, Charles Kipps, watched patrons do a dance known as "the hustle" in the nightclub Adam's Apple. The sessions were done at New York's Media Sound studio with pianist McCoy, bassist Gordon Edwards, drummer Steve Gadd, keyboardist Richard Tee, guitarists Eric Gale and John Tropea, and orchestra leader Gene Orloff. Producer Hugo Peretti contracted piccolo player Philip Bodner to play the lead melody.

According to producers Hugo Peretti and Luigi Creatore, who owned the Avco record label that originally released "The Hustle", McCoy met with them shortly before his death in 1979 to discuss ideas for a new, longer version of the song, in order to appease Avco's UK and German affiliates who were clamoring for a 12" disco single release. The new version, clocking in at just under 6-and-a-half minutes, was assembled posthumously as a remix, using parts of the original recording plus new parts, including drum, Syndrum, and a "little" Moog synthesizer. It was credited to Van McCoy alone or with an unnamed orchestra, mixed by "The Mix Masters", identity unknown.

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