John Browne (1425-1505), Stabat Mater. The Tallis Scholars / Peter Phillips (c)

Details

Description

John Browne (1425-1505), Stabat Mater. The Tallis Scholars / Peter Phillips (c) // From CD The Tallis Scholars Sing Tudor Church Music //.

"(...) The Salve regina and the Stabat mater are the pieces which for years have maintained Browne's reputation as a composer. They are both highly expressive, though for many commentators the Stabat mater is the supreme masterpiece of the period, contrasting dramatic writing with contemplative passages in an emotional world of contrasts thought to have surfaced first with Monteverdi. This drama famously breaks through the surface at the word 'Crucifige', which Browne hammers into place before turning inwards again with the phrases which follow: 'O quam gravis illa poena' ('O how bitter was your anguish'). For me, however, the piece which sums Browne up most perfectly is the Stabat iuxta. Its scoring (TTTTBB) has probably militated against frequent performances, but it is just that scoring which makes such an impact. With six voices operating within a compass of less than two octaves the opportunities for dense, almost cluster chords are unrivalled. The use of low thirds in chordal spacing is not encouraged by text-books of correct polyphonic procedure, but Browne simply couldn't avoid them with this scoring, and they are thrilling. Density of sonority leads to other delights, like false relations and other dissonances, which characterize much of the piece and culminate in the final bars (...)" -- Peter Philips.
----------
Mal.: ROGIER VAN DER WEYDEN -- ZDJĘCIE Z KRZYŻA
--------
Sound 1600 kb/s