Granados & Villa-Lobos - Piano Works by Magda Tagliaferro: Danzas Españolas .. (Century's recording)

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🔥🎧 Full Album available // Albéniz: Piano Works (with Falla, Granados & Villa-Lobos) by Magda Tagliaferro
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Enrique Granados (1867-1916)
00:00 Granados: Andaluza (Playera) - Danzas Españolas, Op. 37
03:30 Granados: Oriental - Danzas Españolas, Op. 37
Heitor Villa-Lobos (1887-1959)
08:40 Villa-Lobos: Impressões Seresteiras  - Ciclo Brasileiro, W 374
14:30 Villa-Lobos: O Polichinelo - A Prole do Bebê No. 1, W 140
16:10 Villa-Lobos: Festa no Sertão - Ciclo Brasileiro, W 374
21:11 Granados: Quejas o la Maja y el Ruiseñor - Goyescas, IEG 12
26:43 Villa-Lobos: Rosa Amarela - Guia Prático (Album 4), W 280

Complete Remastered edition (Albéniz: Piano Works (with Falla, Granados & Villa-Lobos) by Magda Tagliaferro) available on: Qobuz, Tidal, Apple Music, Amazon Music, Deezer, Spotify, Youtube Music...: https://www.youtube.com/watch?v=eQy4iG0Wc4c&list=OLAK5uy_m6mTg3KcA8RkRfUy1i46-G_71OAbPjrDI&index=1

Piano: Magda Tagliaferro
Recorded in 1960, at Paris
New mastering in 2023 by AB for CMRR
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Her name spanned most of the 20th century. Brazilian by adoption but French by birth, a disciple of Alfred Cortot, Magda Tagliaferro (1894-1986) was a natural: exuberant, extravagant, charismatic, but committed to restoring the letter and spirit of the great Romantics, as well as the Spanish and French repertoires she served with fervor.

This "charming ambassador of the French government" belonged to a certain piano legend. In France, she was certainly less well known on stage than in the hall, where her red hair, deep necklines and unusual outfits rarely went unnoticed. But throughout Latin America, she had become the true symbol of French piano, embodying the Cortot tradition and attracting countless students (Cristina Ortiz, Daniel Varsano...), some of whom went on to make careers for themselves - not always on musical merit, incidentally.

Born in Petrópolis, Brazil, on January 19, 1894, Magdalena Tagliaferro learned to play the piano from her father at an early age, and began her career as a child prodigy. She worked with Antonin Marmontel at the Paris Conservatoire, where she was awarded a first prize in piano in 1908, the same year she made her Paris debut at the Salle Érard. She then became Alfred Cortot's pupil, "for the rest of her life", to the extent of keeping alive to an extreme degree the master's qualities and faults: precise virtuosity, a sense of rubato that was sometimes excessive, and a marvellous ability to mask memory lapses that were becoming more and more frequent.

In 1940, the French government sent her to the United States to promote French music. She spent the war years in Brazil, where she played throughout the country and devoted herself to teaching, a period that Brazilian musicians still refer to as the "Tagliaferro revolution". To the French repertoire, she added a second hobbyhorse, the music of Brazilian composer Heitor Villa-Lobos, whom she had met in Paris between the wars and who composed several works for her (Momo precoce). On her return to France, she founded an international piano competition in 1957, which bears her name, and from 1959 onwards gave regular public performance lessons. For thirty-nine years, she refused to play in the United States before being persuaded by an article by the famous New York critic Harold Schonberg: she made her triumphant Carnegie Hall debut in 1979, eclipsing the success of Vladimir Horowitz.

François Reichenbach made a documentary film about Tagliaferro, which was still unfinished at the time of her death, but was shown in France and Brazil under the title Magda Noble et Sentimentale. The Fundação Magda Tagliaferro maintains a museum in São Paulo and awards scholarships to talented young musicians.

Albéniz: Iberia, Cantos de España, Suite Española by Alicia de Larrocha
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